Future Generation Art Prize 2019
PinchukArtCentre (Kyiv, Ukraine) presents an exhibition from the 21 shortlisted artists for the 5th edition of the Future Generation Art Prize. Running from 9 February – 7 April 2019, the exhibition reveals a breadth of contemporary art practices from a judicious selection of artists and artist collectives spanning five continents. Established by the Victor Pinchuk Foundation in 2009, 2019 marks the 10th anniversary of the prize’s founding.
Featuring new and recent works, the exhibition explores two recurring themes through a variety of media. The first considers an ‘archeology of the future’, exploring the past and present through the eyes of tomorrow. Using cutting-edge technologies, the works question the possibilities of interpreting knowledge in today’s world.
Investigating ideas of the self, the second theme of the exhibition draws from individual socio-cultural values and traditions, whilst also exploring more poetic considerations of the psychological journey. Here, artists similarly reflect on a discrepancy between those traditions and shifting realities in a globalised world.
The exhibition is curated by Björn Geldhof, Artistic director of the PinchukArtCentre, and Tatiana Kochubinska, Curator of the Research Platform at the PinchukArtCentre.
Shortlist
Exhibited works
cast steel, рrovenance: Vinnitsa Regional Psychoneurological Hospital. Produced by PinchukArtCentre
cast steel, рrovenance: Vinnitsa Regional Psychoneurological Hospital Produced by PinchukArtCentre
multimedia installation: shipping container, wallpaper, framed photograph, hangers, ashtrays, mirrorball, LED lights, carpet, sofas, tables, script, video. Co-produced by PinchukArtCentre Special thanks: Tatiana Kochubinska, Elena Torop
archival display of photographs, replica memorabilia, maps, clay figurines, red/blue lighting; legal draft granting the soil the rights not to be exhausted
site-specific installation. Opening of Room 31 in Bessarabka market underground cellar; archival display of photographs, replica memorabilia, maps, clay figurines, chernozem soil; red/blue lighting; six performative public discussions; site-responsive bread recipes and public tastings; legal draft granting the soil the rights not to be exhausted. “Soil Talks” will take place in the underground cellar of Bessarabka Market at 3 p.m.: Holodomor Famine (9 Feb), Kurgans (16 Feb), Windbreaks (23 Feb), Water in Crimea (16 March), Financialisation of the Soil (23 March), Migrant Grains (30 March). Co-produced by PinchukArtCentre
multimedia installation. Concept initially developed for les Ateliers de Rennes Produced by PinchukArtCentre
3 channel video installation, 7'12" Produced by PinchukArtCentre
3 channel video, 7'15". Produced by PinchukArtCentre
backhoe workstation, 3 channel projected video, 3 channel video on 16:9 monitors, 3 led panels attached to ceiling
reinforced styrofoam, paint. Produced by The Soap Factory, Minneapolis, the USA
5 channel audio-visual installation, 6’00”. Recorded in the Muina Murui, Nɨmaira Nàɨmeke ɨbɨke community (Colombian Amazon). With: Cristobal Gomez Abel, Pedro Armando Sopín Morales, Harold Jeferson Gómez Florez, Gilber Olmedo Morales Special thanks: Cabildo indígena Comunidad km 11 Muina Murui, Aura Torres Farina Tofe, Carmen Sofía Gaspar Florez, Libardo Santana Florez, Marie Darel, Jerome Dopffer, Simón Velez, Juan Alvaro Echeverri, Hipólito Candre Produced by Studio Arturo Lucia Co-produced by PinchukArtCentre and Centre national des arts plastiques.
2015, 2 channel video installation, colour, sound, in loop, 25’24”. Courtesy of the Artist, Electronic Arts Intermix and Bridget Donahue Gallery
multimedia installation, 30’44”. Courtesy of Carlos/Ishikawa London, C L E A R I N G New York / Brussels, Bangkok City City, Bangkok
multimedia installation, 30’44”
hand-hammered brass, multiple part installation. Courtesy of the Artist and Galeria Madragoa, Lissabon
2016-2019, 3 channel video, sound, wooden boards
інсталяція: дерево, метал, дерматин, поролон, тентова тканина, аудіо, перформанс. Надано художницею. Створено за підтримки PinchukArtCentre
2018-2019, multimedia installation: VR (15’00”), extinct Kaua‘i ‘ō‘ō bird audio, 3D scanned foliage, micro microphone, bug zapper, LED light, truss, custom build computers, mulch, videos Arrival (10’30”), Mating Call (2’32”) and Bug Zapper (5’40”). Originally produced with support by Bikuben Foundation, The Danish Arts Council, Harvestworks and Mana Contemporary Produced by PinchukArtCentre
multimedia installation: video, dirt, truss, custom build computers, room-scale VR, 15’
charcoal, pastel, and pencil on paper. Courtesy of Jack Shainman Gallery
black ink pen on layout paper. Courtesy the Artist and C L E A R I N G, New York / Brussels
poplar wood, silver point, pigment, vinyl and acrylic paint. Courtesy of the Artist and Gladstone Gallery, New York / Brussels
graphite on paper
MP3, Courtesy of the Artist and Commonwealth and Council, Los Angeles
light box, metal frame, faux stone, clay, digital prints. Produced by PinchukArtCentre and Galerie Imane Farès
History of the prize