Future Generation Art Prize 2019

PinchukArtCentre (Kyiv, Ukraine) presents an exhibition from the 21 shortlisted artists for the 5th edition of the Future Generation Art Prize. Running from 9 February – 7 April 2019, the exhibition reveals a breadth of contemporary art practices from a judicious selection of artists and artist collectives spanning five continents. Established by the Victor Pinchuk Foundation in 2009, 2019 marks the 10th anniversary of the prize’s founding.

Featuring new and recent works, the exhibition explores two recurring themes through a variety of media. The first considers an ‘archeology of the future’, exploring the past and present through the eyes of tomorrow. Using cutting-edge technologies, the works question the possibilities of interpreting knowledge in today’s world.

Investigating ideas of the self, the second theme of the exhibition draws from individual socio-cultural values and traditions, whilst also exploring more poetic considerations of the psychological journey. Here, artists similarly reflect on a discrepancy between those traditions and shifting realities in a globalised world.

The exhibition is curated by Björn Geldhof, Artistic director of the PinchukArtCentre, and Tatiana Kochubinska, Curator of the Research Platform at the PinchukArtCentre.

Björn Geldhof
Artistic director of the PinchukArtCentre
Through its truly global and democratic format, the prize has been empowering artists from all over the world for over 10 years, with growing support from institutions and artist communities alike. Its unique concept guarantees each edition presents a fresh perspective on “a future generation of artists” – and we are proud knowing that these cutting-edge artists work to challenge our world views, whilst proposing new models for tomorrow.

Exhibited works

(VRPH Bar 1) and (VRPH Bar 2)
cast steel, рrovenance: Vinnitsa Regional Psychoneurological Hospital. Produced by PinchukArtCentre
(VRPH Bar 1, 2), 2019
cast steel, рrovenance: Vinnitsa Regional Psychoneurological Hospital Produced by PinchukArtCentre
Barbarian
video,12’09”, ceramics
Barbarian
video, in loop, 12’09”. Courtesy of the Artist
Bivalvia
multimedia installation: shipping container, wallpaper, framed photograph, hangers, ashtrays, mirrorball, LED lights, carpet, sofas, tables, script, video. Co-produced by PinchukArtCentre Special thanks: Tatiana Kochubinska, Elena Torop
CLIMAVORE: For the Rights of the Soil Not to be Exhausted
archival display of photographs, replica memorabilia, maps, clay figurines, red/blue lighting; legal draft granting the soil the rights not to be exhausted
CLIMAVORE: For the Rights of the Soil Not to be Exhausted
site-specific installation. Opening of Room 31 in Bessarabka market underground cellar; archival display of photographs, replica memorabilia, maps, clay figurines, chernozem soil; red/blue lighting; six performative public discussions; site-responsive bread recipes and public tastings; legal draft granting the soil the rights not to be exhausted. “Soil Talks” will take place in the underground cellar of Bessarabka Market at 3 p.m.: Holodomor Famine (9 Feb), Kurgans (16 Feb), Windbreaks (23 Feb), Water in Crimea (16 March), Financialisation of the Soil (23 March), Migrant Grains (30 March). Co-produced by PinchukArtCentre
Dead Pan Ham #2
multimedia installation
Dead Pan Ham#2
multimedia installation. Concept initially developed for les Ateliers de Rennes Produced by PinchukArtCentre
Declaration of Intent and Doubt
3 channel video installation, 7'12" Produced by PinchukArtCentre
Declaration of Intent and Doubt
3 channel video, 7'15". Produced by PinchukArtCentre
ELEGY
7-channel video and sound installation
Eclogue for [in]HABITABILITY, 2017
backhoe workstation, 3 channel projected video, 3 channel video on 16:9 monitors, 3 led panels attached to ceiling
Empire Dye
reinforced styrofoam, paint. Produced by The Soap Factory, Minneapolis, the USA
Let My People Go
5 channel audio-visual installation, 6’
Let My People Go
5 channel audio-visual installation, 6’00”. Recorded in the Muina Murui, Nɨmaira Nàɨmeke ɨbɨke community (Colombian Amazon). With: Cristobal Gomez Abel, Pedro Armando Sopín Morales, Harold Jeferson Gómez Florez, Gilber Olmedo Morales Special thanks: Cabildo indígena Comunidad km 11 Muina Murui, Aura Torres Farina Tofe, Carmen Sofía Gaspar Florez, Libardo Santana Florez, Marie Darel, Jerome Dopffer, Simón Velez, Juan Alvaro Echeverri, Hipólito Candre Produced by Studio Arturo Lucia Co-produced by PinchukArtCentre and Centre national des arts plastiques.
Lineage for a Multiple-Monitor Workstation: Number One
2015, 2 channel video installation, colour, sound, in loop, 25’24”. Courtesy of the Artist, Electronic Arts Intermix and Bridget Donahue Gallery
No History in a Room Filled with People with Funny Names 5
multimedia installation, 30’44”. Courtesy of Carlos/Ishikawa London, C L E A R I N G New York / Brussels, Bangkok City City, Bangkok
No History in a Room Filled with People with Funny Names 5, 2018
multimedia installation, 30’44”
Nothing is Solid. Nothing Can be Held in my Hand for Long
hand-hammered brass, multiple part installation. Courtesy of the Artist and Galeria Madragoa, Lissabon
Oh Shining Star Testify
2016-2019, 3 channel video, sound, wooden boards
Oh Shining Star Testify
3 channel video, sound, wooden boards
Quantitative Infinity of Objective
wood, metal, sound, performance
Quantitative Infinity of Objective
інсталяція: дерево, метал, дерматин, поролон, тентова тканина, аудіо, перформанс. Надано художницею. Створено за підтримки PinchukArtCentre
RE-ANIMATED
2018-2019, multimedia installation: VR (15’00”), extinct Kaua‘i ‘ō‘ō bird audio, 3D scanned foliage, micro microphone, bug zapper, LED light, truss, custom build computers, mulch, videos Arrival (10’30”), Mating Call (2’32”) and Bug Zapper (5’40”). Originally produced with support by Bikuben Foundation, The Danish Arts Council, Harvestworks and Mana Contemporary Produced by PinchukArtCentre
RE-ANIMATED, 2018-2019
multimedia installation: video, dirt, truss, custom build computers, room-scale VR, 15’
The Firm
2017-2018 charcoal, pastel, and pencil on paper
The Firm
charcoal, pastel, and pencil on paper. Courtesy of Jack Shainman Gallery
The Last Ball
3-channel video installation 10’34 and 31’44”
Thread
hand-hammered brass, painted wood, crystal clear polyurethane casts
Thresholds
black ink pen on layout paper. Courtesy the Artist and C L E A R I N G, New York / Brussels
Triumphal Arch (Bowels)
poplar wood, silver point, pigment, vinyl and acrylic paint. Courtesy of the Artist and Gladstone Gallery, New York / Brussels
Two Plain Stellas in the Looters Pit at the Top of the Sun Pyramid at Teotihuacan, Mexico
graphite on paper
Untitled (ambient sound of the inside of a pyramid / one year of solar oscillations 10/96-10/97)
MP3, Courtesy of the Artist and Commonwealth and Council, Los Angeles
Vault
2019 light box, metal frame, faux stone, clay, digital prints
Vault
light box, metal frame, faux stone, clay, digital prints. Produced by PinchukArtCentre and Galerie Imane Farès
t 1 ⁄ 2
video, 3D remote sensing scanning, 18’00”
t1/2
video, 3D remote-sensing scanning