The installation consists of a series of interrelated photographs, graphite structures and a video. These serve as vehicles to examine the relationship between the body, the architecture and the drawing. In a series of performances recorded in a sterile space, the artist's body is used as supportive element for black ribbon lines – a drawing composition that connects, transforms and deconstructs existing spatial relationships. It is the artist's body that becomes the main instrument for creating new forms, whilst emphasising the physicality of the space though the demanding postures. It is juxtaposed with the fragile graphite objects dispersed around. Made from traditional drawing material, three-dimensional structures are created through the act of folding, tearing and cutting machine-made flat forms.