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Larisa Rezun-Zvezdochetova

Biography
June 25, 1958

Born in Odessa, Ukrainian SSR.

1975 - 1982

Studied at the Art and Graphic Faculty of the Odesa Pedagogical Institute named after Ushynsky (now — South Ukrainian National Pedagogical University named after K. D. Ushynsky)

Worked as a methodologist at the House of Folk Art in Odessa.

1984 - early 1990s

Moved to Moscow. Was in a relationship with Konstantin Zvezdochetov, they got married in 1987. Lived and collaborated in squats and collectives of AptArt, the Avant-Garde Club ("Klava"), lived on Furmanov Lane, and more.

1992 - 1995

Moved abroad. Taught at the academies of arts in Oslo and Gothenburg. Conducted master classes at the Center for Contemporary Art, Moscow. At the invitation of the city of Paris, participated in an art residency in France.

2000

She was a scholarship holder of the Civitella Ranieri Foundation Fellowship program, Umbertide, Italy

The works are held in the collections of the State Tretyakov Gallery (Moscow, Russian Federation); the State Russian Museum (Saint Petersburg, Russian Federation); the Katerina Cultural Foundation (Moscow, Russian Federation); the Stella Art Foundation Collection (Moscow, Russian Federation); the Simon Waldron Collection; the National Center for Art and Culture Georges Pompidou (Paris, France), and others.

Exhibitions
2017.10.27
Soviet Art around 1990 (Binational)
2007.03.01
Beauty saves the world
2007
Soviet Art around 1990 (Binational)
2006
Perspectives of Conceptualism
2006
Perspectives of Conceptualism
2005
MANI Museum — 40 Moscow Artists in the Frankfurt Carmelite Monastery
2005
A Chicken is No Bird
2004.05.25
Raid
2003.11.22
SchizoChina. 5th Exhibition of the Avant-Garde Club (KLAVA)
2003
ISKONSTBO
2003
Beauty saves the world
2003
Soviet Art around 1990 (Binational)
2001
Perspectives of Conceptualism
2001
Perspectives of Conceptualism
2001
MANI Museum — 40 Moscow Artists in the Frankfurt Carmelite Monastery
1983
Soviet Art around 1990 (Binational)
1999
A Chicken is No Bird
1999
Raid
1999
SchizoChina. 5th Exhibition of the Avant-Garde Club (KLAVA)
1999
ISKONSTBO
1997
For a cultural vacation
1997
The Work of Art in the Age of Perestroika
1996
Made in Furmanny
1995
Biennale of the Baltic States
1995
Between Spring and Summer: Soviet Conceptual Art in the Era of Late Communism
1994
Rauschenberg to us, we to Rauschenberg
1994
Prospects of Conceptualism. 4th Exhibition of KLAVA
1993.02
Soviet Art around 1990 (Binational)
1993
New Jerusalem (exhibition-action)
1993
Medhermeneutics and others
1993
Dear Art. 3rd Exhibition of the Avant-Garde Club (KLAVA)
1993
1st Exhibition of the Avant-Garde Club (KLAVA)
1992
Private lessons
1992
Perspectives of Conceptualism
1992
Life and Death; the Hunter and the Deer
1991.09
Life and Death; the Hunter and the Deer
1991.05
Temporary address for Russian contemporary art
1991
RINACO Contemporary Art Collection. Moscow 1993
1991
White Nights
1991
In the cooling boilers: Odessa underground of the 80s
1991
Nonconformists. From the collection of the State Museum of Contemporary Art "Tsaritsyno"
1991
II Biennale in Cetinje
1991
Style violation? Contemporary Russian artists from the Ludwig Collection
1991
Voluntary refugees
1990
History in Faces
1990
Mink
1990
Moscow Conceptualism. Collections of G. Orshakov and V. Zakharov
1990
Contemporary Russian Painting 1992–2002
1990
Women's Art
1990
First collection
1990
Art Moscow 2004, international art fair
1990
"The Winter Factor, or Snow Maidens Do Not Die!", I Moscow Biennale
1990
Gender concerns
1990
This gloomy work of art
1989.11
Extreme
1989
Kandinsky Prize
1989
2nd Moscow Biennale
1989
ISKONSTBO
1989
SchizoChina. 5th Exhibition of the Avant-Garde Club (KLAVA)
1989
Raid
1989
A Chicken is No Bird
1989
MANI Museum — 40 Moscow Artists in the Frankfurt Carmelite Monastery
1989
Perspectives of Conceptualism
1989
Perspectives of Conceptualism
1987
Soviet Art around 1990 (Binational)
1984
Beauty saves the world
Bibliography
  1. Temporary address for Russian contemporary art [каталог]. Musee de la Poste, Paris, France, 1993
  2. Boym, Svetlana. Common Places: Mythologies of Everyday Life in Russia. Harvard University Press, 1994
  3. Enfant Terrible. Odesa Conceptualism: 12.06.2015- 20.09.2015, National Art Museum of Ukraine / Odesa Museum of Contemporary Art; Exhibition curator Myroslav Kulchytsky; Project manager Semen Kantor; Editor Viktoriya Velykodomenko; Introductory article by Maksym Kovalchuk.– Odesa: Odesa Museum of Contemporary Art, 2015.– [106] p. : ill.
  4. Furmanny Lane = Furmanny Lane, with the comments of Nowicki, Piotr; Kashuk, Larisa [catalogue], Fundacja Polskiej Sztuki Nowoczesnej, Warsaw,1989
  5. Goscilo, Helena. Fruits of Her Plume: Essays on Contemporary Russian Women’s Culture. London, New York. 1993
  6. Kimmelman, Michael. ART VIEW; Political Art Comes of Age In the U.S.S.R. // New York Times magazine. – August 19, 1990. http://www.nytimes.com/1990/08/19/arts/art-view-political-art-comes-of-age-in-the-ussr.html?pagewanted=1
  7. The Irony Tower. Soviet artists during the glasnost era / E. Solomon — «Ad Marginem Press», 1991
  8. Агамов-Тупицын В. Интервью с группой “Перцы” [Електронний ресурс] / Виктор Агамов-Тупицын // АРТГИД. – 2014. – Режим доступу до ресурсу: http://artguide.com/posts/627-gruppa-piertsy-sriedi-vydavliennykh-pryshchiei-sluchaino-obnaruzhilsia-nietronutyi-malien-kii-rozovyi-pryshchik?page=2.
  9. Алексеев Никита. Крылышками плям-плям-плям [Арт-проект “Новый Ангеларий” в ММСИ] / Никита Алексеев // Gif.ru [archive]. – 28.09.2007 – Доступно 28.09.2007
  10. Zvezdochetova, Larisa. Boutonniere [catalog]. – Odessa: Khudpromo. – 2012
  11. Князев, Сергей. Одесское искусство 90-х: трансавангард и деревянная рыбка / Сергей Князев // Музей современного искусства Одессы. [Электронный ресурс]. – Режим доступа: http://msio.com.ua/en/articles/133-odessa-art-90-by-knyazev (доступно 16.11.2017)
  12. Комментарий Александра Евангели о работах Ларисы Резун-Звездочетовой // Премия Кандинского.
  13. Комментарий к работе Ларисы Резун-Звездочетовой «Раненые в сердце» // Русский поп-арт [каталог]
  14. Larisa Zvedochetova. Under the code name "female art" // Dialogue of Arts. – 2015. – No.3. – P.70-72
  15. Moscow Conceptualism. Erosion and After. edited by Kimmo Sarje: TAIDE-YLIOPISTO, 2016
  16. Rezun-Zvezdochetova, Larisa. Indian Notes / Larisa Rezun-Zvezdochetova // Pastor (magazine). – No.8. – 2001. – P.171-177
  17. Rezun-Zvezdochetova, Larisa. How I Became an Artist / Larisa Rezun-Zvezdochetova // Pastor (magazine). – No.6. – 1997. – P.139-141
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